Wednesday, December 30, 2009

3 posts in one day

And I wanted to quickly add, while I really enjoyed the game play of MW2...I really couldn't get over how ridiculous the story was. Not to mention the lack of dedicated servers on PC and the hordes of obnoxious Xbox Live users have got me to put the game down(for good maybe?) after only 2 months. I played CODMW for almost 2 years, despite the hackers...

Then again, 10 million in sales doesn't lie. Sigh.

After years and years of work

Black Powder | Red Earth is almost here. The facebook rpg is playable start to "finish" and we're working on tweaks/tuning and extra features. After working on this specific project for almost 8 years now, it's amazing that there is still more polish, tweak, edit and learn.

There's been so many iterations and so much hard work put in by so many people including but not limited to and in no specific order:

John Zinn
Travis Haley
Kane Smith
Markus Eslitzbichler
Byungju Kang
Ed Chow
Tim Tracy
Mark Gilson
The good people at Alias who fronted us Maya 7 for our UE3 work
The fine folks at Epic Games who gave us a shot with the UE3 toolset

It's funny to think we started as a Half Life 2 single player mod, became a UT2004 multiplayer mod, continued on to a UE3 then totally switched gears to a Facebook RPG(when we couldn't get any publisher backing/support for a dedicated PC product) and are now starting to explore what the next steps will be after we release the facebook game! Not to mention we started as a jungle warfare game, went to Mars and are now back on Earth 10 years in the future?! Yes...it's been a hell of a ride.

Thanks for hanging in there ^_^

I wrote this for Metal Maniacs sometime ago...

For a feature they ran called death match. It was never published and I was never paid, so here it is. Enjoy :)

Speed freaks are a funny bunch.

First there was Kiss. They screamed and played fast. Then there was AC/DC. They played faster and more distorted. Oh, and the guitar player was insane. Motorhead followed. They were the fastest and heaviest thing on wheels until I was introduced to DRI and Slayer by the kid's who were smoking behind the Library at the tender young age of 12. On hearing Reign in Blood a few years later, I thought, "How can it get any faster short of playing the records at 78 RPM?" A favorite past time of mine for many years (Hey Ricky Bobby wanted to go fast. So did I >o<)

Enter Napalm Death, Repulsion, Carcass, Anal Cunt and 7 Minutes of Nausea. Most people, even the punk/hardcore/metal kids I knew, didn't have the bandwidth for these bands. Throttle down, distortion on and 6-20 minutes later it was over. Like Son Tay raiders, they were audacious, violent and at the top of their game. The ultra-compact, stripped down mission statement of "Reign in Blood" was turned into a stand-alone genre where raw emotion was pushed out through guitars, drums and vocals as fast as humanly possible.

Bands recorded the takes live, complete with mistakes, because there are no mistakes when you are locked on dodonpachi style. "Mistakes" are a invention of producers looking to make pop hits. Perfection has nothing to do with the frayed racket of humanity that is grind. When I am lost in a grind song, it's probably the most honest I'll ever be with myself because ego doesn't matter. It's not about me, even though nothing else will ever be more about me. It's the black box that survives the plane crash and shares it's last moments with you over and over again.

And then, there's the physical side.

When I was in Discordance Axis and it came time to do a new record or a show, Da5e Witte would give up his vices(drinking beer mostly). I would start running, cycling and riding down the road in my car screaming along with SOB, volume maxed out and windows rolled down. And then there are the guitar guys...

Last time I was in Japan, I stayed with Takafumi Matsubara(GridLink, Hayaino Daisuki, Mortalized) who's day starts by having his morning tea &toast while playing a million miles and hour for like 20 minutes to warm up so he can start playing "fast". Before I met Bryan Fajardo(Noisear, Kill the Client, GridLink), I heard stories about him showing up to play Noisear shows, doing his set and then just locking himself in a room to practice blast beats for hours on end.

Like I said earlier.. Ricky Bobby motherfucker.

Finally, there is the creativity. It takes someone special to create records that are essentially one beat the whole way through but still have nuance and form. Music with structure that is built like an SR-71, that is to say it can only be appreciated when it is cruising at mach 3 several miles above the ground.

Many musicians want to mix it up. I say, mixing it up got us rap metal. Enough said. Grind requires a unique talent to manipulate, control and engage at warp speed, creating subtle variations, shifts and sometimes abrupt changes without ever letting off the acceleration.

There is no other form of music, and I love a whole lot of different kinds of music, that is as challenging to get right but more rewarding when it is right, than grind.

I want to go fast. God damn it.